Those tools gave it all a bit more depth. Then, we would go into After Effects to use a lot of Red Giant products for color grading, adding lens flares, particles, and sky replacements. Ioannou: We were also fortunate to be able to use KitBash3D for some of the CG landscapes in 3D. Normally, we would not have had access to some of those locations, and I don’t think we would ever be able to do that again. It was after the first lockdown because of COVID, so the streets were still pretty empty. We did a lot of research using historical websites, and we also looked at different places in London. Tell us about the locations you chose and the scope of the VFX.Įllison: We spent about a week location scouting because the novel includes different variations of London. And that’s how this whole project came to be.
My partner, Rain, and Petros said we should do something bigger. I really wanted a chance to audition, but I decided to just make some Tik Toks as Lila and hoped they’d go viral. I found out that the first book was going to be adapted into a film by Sony and because I’m an actor, I wondered how I could get an audition for the role of Delilah. I ignored them for a while, but then I read “Shades of Magic” and realized how awesome the character, and the series, are. A lot of people kept saying I reminded them of the character, Delilah Bard because I have a glass eye and so does Delilah. What inspired you to make this ambitious trailer?Įllison: My audience recommended the books originally. We sat down with Ellison and Leon Films’ Petros Ioannou, producer and director of photography, to talk about their magical fantasy trailer, which has been viewed more than 1.4 million times on Instagram.
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